36 Marina Drive
Tunkhannock, PA 18657
e-mail: jeffart@epix.net
2013 LaSalle University Art Museum, Philadelphia, PA. (one-person)
2013 Whitney Museum of American Art, NYC, “I, You, We”
2011 Donetsk, Russia, “Art Action” (cat.)
2004 Sharjah Art Museum, United Arab Emirates, invitational
2001 SAC Gallery, Key Tower Bldg., Seattle, Washington, "Printworks 2001",
(Seattle Art Commission's % for Art Purchase).
1995 The New Museum of Contemporary Art, New York City, “Temporarily
Possessed: The Semi-Permanent Collection” (cat.)
1995 The Montclair Art Museum, Montclair, New Jersey, “What is a Print?”
1994 The Art Museum of the Americas, Washington, D.C., “Across
Borders/Sin Fronteras” (cat.)
1993 The Snite Museum of Art, University of Notre Dame, Notre Dame,
Indiana, “20th Century Art: Recent Accessions”
1993 The Denver Art Museum, Denver, Colorado, 100th Birthday Celebration”
1992 The Irvine Fine Arts Center, Irvine, California, “Crossing Borders”
1992 Exhibition Hall, Sapporo, Japan, “The 1st Sapporo International Print
Biennale Prize Winner Exhibition”
1989 Goddard-Riverside Community Center, New York, New York, “The
Love of Printmaking” (selected from Lower East Side Printshop), (cat.)
1989 Orange County Center for Contemporary Art, Santa Ana, California
(one-person exhibition)
1988 The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut,
“Selections from the Collection”
1987 Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic
Arts, San Francisco, California, “Recent Acquisitions: Part II, 1950-1986”
1987 Chateau de Tours, Tours, France, “Aquarelles Americaines” (De lal
Collection du Musee d’Art de Springfield), (cat.)
1987 Exit Art, New York, New York, “Concrete Crisis: Urban Images of
the 80’s”, (cat.)
1986 N.A.M.E. Gallery, Chicago, Illinois, “Celebrating the 25th Anniversary
of Fluxus”
1985 Janco-Dada Museum, Ein-Hod, Israel, “The Scroll Unrolls” (cat.)
1985 Tapei Fine Arts Museum, Taiwan, Republic of China, “American
Watercolor” (works on loan from the Springfield Art Museum) (cat.)
1985 Judson Memorial Church, New York, New York, “State of Mind, State
of the Union” (exhibition by PADD)
1984 City University Graduate Center Mall, New York, New York, (one-
person exhibition)
1984 Bronx Museum of the Arts, Bronx, New York (one-person exhibition)
1984 University of Colorado, Boulder, CO., “The Destroyed Print” (one-person)
1984 The Art Institute of Chicago, Chicago, Illinois, “Recent Acquisitions”
1984 Osaka New Art Center, Osaka, Japan
1984 Pratt Manhattan Center, New York, New York, “Baubles”
1984 Kylie Hall, Queens College, New York, “Ways of Wood” (cat.)
1984 Pratt Manhattan Center, New York, New York, “Beauties & Beasts”
(cat.) (traveled to Pratt Institute Gallery, Brooklyn, New York)
1984 Tokyo Metropolitan Museum, Tokyo, Japan
1983 Alternative Museum, New York, New York, “Ashes to Ashes:
Visions of Death” (cat.)
1982 University of California, Berkeley, California (two-person exhibition)
1982 Museum of Modern Art of Rio de Janeiro, Rio de Janeiro, Brazil,
“Internacional de Gravura Arte Grafica” (cat.), traveled to: Paulista
State University – UNESP, Sao Paulo, Brazil; House of Prints of the
Churitiba Cultural Foundation, Parana, Brazil; Educational Foundation
of Votuporanga – SP (Sao Paulo), Brazil; School of Industrial Design,
University of the State of Rio de Janeiro, Brazil
1982 Pratt Manhattan Center, New York, New York, “The Destroyed Print”,
(one-person exhibition) (cat.), traveled to Pratt Institute Gallery,
Pratt Institute, Brooklyn, New York
1982 Downtown Cultural Center, Brooklyn, New York, “The Monument
Redefined” (cat.)
1982 Bilbao International Exhibition Center, Bilbao, Spain, “ARTEDER 82
Muestra Internacional de Arte Grafico”
1981 The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut,
“Acquisitions Plus”
1981 The New Museum, New York, New York, “Not Just for Laughs: The
Art of Subversion” curated by Marcia Tucker, (cat.)
1980 Race Gallery, Philadelphia, Pennsylvania, “O.K. Harris Works of Art
and Race Gallery”
1979 O.K. Harris Works of Art, New York, New York (one-person exh.)
1979 Metropolitan Museum of Art, New York, New York, “Recent Acquisitions”
1979 Gallery Lara Vincy, Paris, France
1979 The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut,
“Art of the 70’s”
1979 Institute for Art & Urban Resources at P.S. 1, Long Island City,
New York (one-person exhibition)
1979 O.K. Harris Works of Art, New York, New York, “Summer Group”
1978 The Community Gallery, New York, New York, “Small paintings”
(curated by Lowery Sims, Assoc, Curator, Metropolitan Museum of
Art, NYC)
1977 26 Federal Plaza, New York, New York, “Art in Public Spaces” (O.I.A.)
1977 The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut,
“Contemporary Reflections” (cat.)
1974 National Collection of Fine Arts, Wash., D.C., “Dulin Invitational” traveled.
Live, It’s New, It’s Local”, Los Angeles Times, (Friday, September 21,
1990), pp. F21A, F21E.
“Art World: The Postman Always Rings Twice”, Art in America, v.67/1
(January-February 1979), p.204.
Bourdon, David. “A Critic’s Diary: The New York Art Year” Art in America, v.65/4 (July/August 1977), pp.67-78.
Curtis, Cathy. “Art Review: The Focus of ‘Death’ Has Clearly Departed”,
Los Angeles Times, (Friday, September 21, 1990), pp. F21A, F21E.
Ehrlich, Robbi. “Jeff Russell”, Arts Magazine, v.54/5 (January 1980), p.10.
Geer, Suvan. “Light, Death and Resurrection”, ARTWEEK, Oakland,
California, p.4.
Glueck, Grace. “Gallery View: Three Offbeat Shows with a Conceptual Bent”,
New York Times, (Sunday, November 21, 1982), p.H29-30.
Glueck, Grace. “ ‘Art: Beauties & Beasts’ at the Pratt Gallery”, New York Times,
v.CXXXIII (April 5, 1984), p.C28.
Goldstein, Marilyn. “Just Perfect Imperfection”, Newsday, New York, (April 10,
1995), p. A8.
Gordon, Michael. “Reviews”, Arts Magazine, v.51/8 (April 1977), p. 44.
Hoffman, Werner. “Artist creates works for destruction”, The News World,
v.7/280 (November 30, 1982), p.1B, 3B.
Kuspit, Donald. “Reviews: The Destroyed Print”, Artforum, v.XXI/6
(February 1983), p.77.
O’Beil, Hedy. “Reviews”, Arts Magazine, v.52/9 (May 1978), pp. 32-3.
Perreault, John. “Arts 1: The joke’s on view”, Soho Weekly News, v.9/9
(December 8, 1981), p.49.
Popescu, Carmina, "Lumina Lina de la New York", Tribune, Cluj, Romania,
1-15 Noiembrie 2002, p. 15, repro.
Robinson, Sue. “Artist Adopts Hot Metal Spray”, Associated Press News,
New York, New York, June 15, 1977, (distributed nationwide).
Tully, Judd. “Ashed to Ashes: Visions of Death”, Alternative Museum, New York,
New York, 1983 (catalogue).
Tucker, Marcia. “Not Just for Laughs: The Art of Subversion”, The New
Museum, New York, New York, 1981-2 (catalogue), pp.9, 10, 13, 15, 16,
17, 19, 20, 23, 26.
Schwartz, Ellen. “The Destroyed Print”, Print Review 16, 1983, pp.60-64.
Smith, Howard. “Scenes: Here Today Gone Tomorrow”, Village Voice,
v.27/45. (November 9, 1982), p.27.
Stevens. “Salon de la Louisiana Water-Color Society”, La Revue Moderne,
Paris, November 1972, p.21.
Zimmer, William. “Reviews”, Soho Weekly News, September 27, 1979, p.60.
“1982 in Review: Alternative Spaces (New Museum, New York City)”,
Art in America, v.71/7 (Annual 1983-4), pp. 22-3.
1986-7 National Endowment for the Arts, Visual Artists Fellowship Grant
1983-5 SUNY Research Foundation Grant (State University of New York)
1983 EMF Grant, Artists Space/Committee for the Visual Arts, Inc., N.Y.C.
1973-4 UAH Research Grant (Sprayed Molten Metal on Canvas)